mysterious indian temples








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Original Thread: The Lost Temple of India

The Lost Temple of India

When people think of India, they think of the Taj Mahal, Shāh Jahān’s eternal memorial dedicated to his wife Mumtāz Mahal. But there is a more ancient and secret India hidden deep in its tropical jungles, with one of the greatest building efforts in the human [record]. History has produced thousands of strange and mysterious temples that are today lost and forgotten. This is India's Deep South, a land of emerald green rice fields and immense palm forests, where every few miles temples soar toward the heavens in the countryside.

Here, over a thousand year ago, 985 AD to be exact, Rajaraja Cholan became King of the Chola Dynasty. His original name was Arunmozhivarman, and his title was Rajakesari Varman or Mummudi-Sola-Deva. He was the second son of the Parantaka Cholan II.

His capital was the city of Thanjavur. Thanjavur was the royal city of the Cholas, Nayaks, and the Mahrattas. Thanjavur derives its name from Tanjan-an asura (giant), who according to local legend devastated the neighbourhood and was killed by Sri Anandavalli Amman and the God Vishnu.

Rajaraja Cholan was one of the greatest kings of India, and in the south he embarked on one of the largest building plans in the history of mankind that still continues till this day. He and his successors moved more stone then the great pyramid of Giza.

The extent of the Temple Grounds is so large that over 200 Taj Mahal’s can fit into it.





You might ask why Rajaraja Cholan built all these temples. Well, it was the same motive that built Europe's cathedrals and Egypt's pyramids. He was moved by the power of faith. You have to understand one thing about India: this is a land with almost as many gods as people, and it believes all life to be sacred; even a humble ant has its place. Gods are worshiped differently here than in Europe. During festivals, for example, the gods are taken from their shrines and paraded around in the temple grounds, their costumes are changed at the end of the day, and they are put to bed for a few hours rest at night.

Generally, it's believed that if these and other rituals are performed perfectly, then it's going to be more beneficial for you, so that's why rituals are taken very seriously and they are memorized rigorously by priests. These rituals hardly if ever change with the passage of time. For any religion, anywhere in the world, including Christianity, Islam, Buddhism, and so on - to flourish it helps to have friends in high places, like kings or very wealthy benefactors. For Hinduism, with its vast temples and thousands of priests, friends in high places are absolutely essential. Rajaraja was one of the greatest patrons of arts and religion in India's long history.

And this was his start, the great temple of Bragatheeswarar.




It's one of the most amazing buildings in India. It's 10 times taller than anything built before it, and not only is it huge, but it's made of granite, one of the hardest stones in the world. The inner shrine under the large tower contains a large phallus-shaped stone, called a 'Ling', which represents the god Shiva, one of the most powerful and popular gods, and also one of the three gods of the Holy Trinity that began, runs, and ultimately ends this universe, only to start all over again. The phallus-shaped 'Ling' which is Shiva is 12 feet in height and 5 feet in diameter. Every day the priests dress Shiva, and wash him with milk. This has been going on since the creation of the temple and it still goes on today in an unbroken chain for the past thousand years.



To build temples like these required huge amounts of money, and the easiest way to get it was by attacking your weaker neighbors. Rajaraja began his career with the conquest of the Chera country. He defeated Chera King Bhaskara Ravivarman, whose fleet he destroyed in the port of Kandalur. He also seized Pandya Amara Bhujanga, and captured the port of Vilinam. By his campaign against the Singhalees, he annexed northern Ceylon (modern day Sri Lanka), and built a number of stone temples in the Ceylonese capital Polonnaruva. Most of his triumphs were achieved by the fourteenth year of his reign (AD 998-999). Rajaraja assumed the title "Mummudi Cholan" and moved his capital from Anuradhapura to Polonnaruva. The Chola culture and Shiva religion permeated the whole of Ceylon.



Having thus realized his cherished military glories, in or about 1003 AD Rajarajan sheathed his sword and turned his thoughts toward a life of peace. It was about this time, that the Chidambaram temple authorities bestowed on him the title of "Sri Rajarajan".

India is a huge country and it has a very diverse climate. Eastern India is a desert, while the western part receives the highest rainfall in the world. Central India is a huge plateau covering four modern states. Warfare in India was a very different affair in each climatic region, with one common element throughout: the war elephants.



In the jungles of South India, Rajaraja had an ample supply of elephants for his war effort. Now, wild elephants might seem the right candidates to become war elephants, but they are actually very docile, only attacking when provoked. Only the biggest, fiercest, and fittest tusked males could be used as war elephants. Ancient elephant trainers, or "mahouts" (still called by this name today), made a stockade and drove elephant herds into a funnel that led them inside. As recently as the 1960s, the same method was used to capture elephants as in Rajaraja's day, except they were used then for labor instead of war. The ancient mahouts picked the strongest bulls among the herds to be trained for the battlefields. The rest became working elephants, used for heavy lifting and transporting heavy objects for construction projects. The mahouts controlled the war elephants by getting them drunk on fermented rice liquor, called "makar", before every battle. The elephants could literally slice their way through a battlefield with razor-sharp blades attached to their trunks. From the top of the elephants, spear throwers, generals, or archers could rain down death on the people below. Despite these advantages, elephants are very hard to control. Instinctively, they don't favor killing people en masse. Only the legendary skill of the mahouts could make them do so. It is interesting to note, just like the Roman legions we know, the names of over 70 regiments in the ancient Indian army that distinguished themselves in battle are known because the names are inscribed in the temples - like the
Ilaiya-Rajaraja-terinda-Valangai-Velaikkarar, Parivarameykappargal (a regiment of Personal Bodyguards), Mummadi- Chola-terinda-Anaippagar (a regiment of the Elephant Corps). The surnames or titles of the king or of his son are usually prefixed before the regiment’s name, possibly as a sign of attachment after a regiment distinguished itself in a battle or other engagement. It would be considerably honorable and prestigious to be in the king's own regiment.

After Rajaraja secured a good supply of money, he started construction on his Temple of Bragatheeswarar. The quarry that supplied the granite was over 50 miles away from the temple site. Most of the stones were moved with boats, but some much heavier stones, like the 40-ton capstone at the summit of the tower, were moved with a combination of ramps and elephants. The remains of the original ramps still exist today after a thousand years, indicating a gentle 6-degree slope pointing toward the top of the temple. The ramp began 1 mile from the temple, and gradually intersected with the top of the tower 216 feet in the air. Stones were moved from the quarry to the ramp, and up the ramp, with elephants pulling the stones over wooden rollers, much the same as the way ancient Egyptians built the pyramids.

You’d think Rajaraja was crazy going to so much trouble to make just a temple, but let me explain. Rajaraja was a very religious man, and he was caught between a rock and a hard place. On the one hand, his religion forbade him to kill, and on the other hand, to be a successful king he had to make war on his neighbors for his people's sake - otherwise his kingdom would be weak and easily overrun. So he was responsible for the deaths of hundreds of thousands of his enemies. He firmly believed as do all Hindu’s today in rebirth and reincarnation, and that your actions in this life will determine your lot in the next one. Given the blood on Rajaraja's hands, he might come back as a worm or something even worse. So he spent fabulous amounts of money on his temples. As one example, it's written in an inscription that it took 4,000 cows, 7,000 goats, and 30 buffalos just to supply the butter required for the lamps that were lit in the temple and temple grounds. And this was just one temple. Rajaraja provided for hundreds of temples that he created just to insure that he kept his karma in good standing. By his generosity, he hoped the gods would overlook his transgressions and be persuaded to reincarnate him as something better than a worm.



Indian religion during Rajaraja's time also spread across other lands. That’s why in the steaming jungles of Cambodia, the temples of Angkor Wat don’t depict Cambodian gods, but the gods of India. Not only did religion spread, but also art. When Europe was languishing in the Dark Ages, the artists in the Chola Empire were making bronze statues like the famous Nathraja shown below.



This is Shiva, who appears as Nathraja, the Lord of the Dance, simultaneously crushing the dwarf of ignorance under his foot, beating the drum of creation, unleashing the fires of destruction and finally raising one hand in assurance, telling us to fear not. Near Thanjavur, artists still create bronzes as they did in Rajaraja's time, placing mud from the Kavari River on a hand carved wax statue to create a mold. After that, they pour molten bronze or gold into the mold and let it cool to take the shape of the statue.

Some Examples of Indian Art





When Rajaraja died in 1014, he left behind him a shining legacy that made him one of the greatest patrons of art and religion in India. The Chola Dynasty ended with King Rajendra Chola III, the last Chola king. The last recorded date of Rajendra III is 1279 AD. There is no evidence that Rajendra was followed immediately by another Chola prince. The Chola empire was completely overshadowed by the Pandyan empire, though many small chieftains continued to claim the title "Chola" well into 15th century.

This is a mural showing Rajaraja, drawn during his reign, showing him in red standing behind his guru. If you have seen a picture of the god Shiva, you might find similarities with the hair style of Rajaraja. It must be noted that some archeologists dispute whether this is actually Rajaraja or not.







Kailasa Temple near Ajanta and Ellora

Introduction

The Kailasa or the Kailasanatha, is the unrivaled centerpiece of Ellora. This is designed to recall Mount Kailash, the abode of Lord Shiva – looks like a freestanding, multi-storeyed temple complex, but it was carved out of one single rock, and covers an area double the size of Parthenon in Athens.[8] INitially the temple was covereed with white plaster thus even more increasing the similarity to snow covered Mount Kailash.
Ellora (Marathi: वेरूळ) is an archaeological site, 30 km (19 mi) from the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta (Kannada: ರಾಷ್ಟ್ರಕೂಟ) rulers. Well-known for its monumental caves, Ellora is a World Heritage Site.[1] Ellora represents the epitome of Indian rock-cut architecture. The 34 "caves" – actually structures excavated out of the vertical face of the Charanandri hills – being Buddhist, Hindu and Jain rock cut temples and monasteries, were built between the 5th century and 10th century. The 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, built in proximity, demonstrate the religious harmony prevalent during this period of Indian history.
Other Interesting Stories
   
Ajanta Caves (Ajiṇṭhā; Devanagari: अजिंठा लेणी) in Maharashtra, India are 28 - 30 rock-cut cave monuments created during the first century BCE and 5th century AD, containing paintings and sculptures considered to be masterpieces of both Buddhist religious art[1] and universal pictorial art. The caves are located just outside the village of Ajinṭhā in Aurangabad district in the Indian state of Maharashtra (N. lat. 20 deg. 30' by E. long. 75 deg. 40'). Since 1983, the Ajanta Caves have been a UNESCO World Heritage Site.


Ajanta and nearby Ellora are two of the most amazing archaeological sites in India. Although handcrafted caves are scattered throughout India's western state of Maharashtra, the complexes at Ajanta and Ellora - roughly 300 kilometres northeast of Mumbai (Bombay) - are the most elaborate and varied examples known. The caves aren't natural caves, but man-made temples cut into a massive granite hillside. They were built by generations of Buddhist, Hindu, and Jain monks, who lived, worked, and worshipped in the caves, slowly carving out elaborate statues, pillars, and meditation rooms. 


Kailasa Temple

Although all of the caves at Ellora are stunning architectural feats, the Hindu Kailasa Temple is the jewel in the crown. Carved to represent Mt. Kailasa, the home of the god Shiva in the Himalayas, it is the largest monolithic structure in the world, carved top-down from a single rock.
It contains the largest cantilevered rock ceiling in the world. 

Mount Kailash.
Within the courtyard is the massive multi-level temple, its pyramidal form replicating the real Mount Kailasa, the Himalayan peak said to be the home of the Hindu god Siva. 

the scale at which the work was undertaken is enormous. It covers twice the area of the Parthenon in Athens and is 1.5 times high, and it entailed removing 200,000 tonnes of rock. It is believed to have taken 7,000 labourers 150 years to complete the project.
The rear wall of its excavated courtyard 276 feet (84 m) 154 feet (47 m) is 100 ft  (33 m) high. The temple proper is 164 feet (50 m) deep, 109 feet (33 m) wide, and 98 feet (30 m) high.

Kailasa Temple, cave #16 at Ellora, India
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It consists of a gateway, antechamber, assembly hall, sanctuary and tower. Virtually every surface is lavishly embellished with symbols and figures from the puranas (sacred Sanskrit poems). The temple is connected to the gallery wall by a bridge.
Described as Cave 16, the Kailasa Temple is considered
the pinnacle of Indian rock-cut architecture
The gigantic, 8th century Kailasa Temple at Ellora, Cave 16,
was chiselled from solid stone. Click for
bigger image
Kailasa Temple, cave #16 at Ellora, India
Dramatic sculptures fill the courtyard and the main temple, which is in the center.
It must have been quite a spectacular sight when it was covered with white plaster and elaborately painted.
Kailasa Temple, cave #16 at Ellora, India
© Courtney Milne
 
Unlike other caves at Ajanta and Ellora, Kailasa temple has a huge courtyard that is open to the sky,
 surrounded by a wall of galleries several stories high.
The Kailasa temple is an illustration of one of those rare occasions when men's minds, hearts, and hands work in unison towards the consummation of a supreme ideal.

The Ajanta and Ellora Caves 

Ajanta Caves

Ajanta (more properly Ajujnthi), a village in the erstwhile dominions of the Nizam of Hyderabad in India and now in Buldhana district in the state of Maharashtra (N. lat. 20 deg. 32' by E. long. 75 deg. 48') is celebrated for its cave hermitages and halls.
Located 99-km from Aurangabad, Maharashtra, Ajanta encompasses 29 rock-cut rooms created between 200 BC and AD 650 using rudimentary hand tools. Most are viharas (living quarters), while four are chaityas (temples).

Ajanta Caves

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The Ajanta caves were discovered in the 19th century by a group of British officers on a tiger hunt.
Ajanta began as a religious enclave for Buddhist monks and scholars more than 2,000 years ago. It is believed that, originally, itinerant monks sought shelter in natural grottos during monsoons and began decorating them with religious motifs to help pass the rainy season. They used earlier wooden structures as models for their work.  As the grottos were developed and expanded, they became permanent monasteries, housing perhaps 200 residents.
The artisans responsible for Ajanta did not just hack holes in the cliff, though. They carefully excavated, carving stairs, benches, screens, columns, sculptures, and other furnishings and decorations as they went, so that these elements remained attached to the resulting floors, ceilings and walls.
They also painted patterns and pictures, employing pigments derived from natural, water soluble substances. Their achievements would seem incredible if executed under ideal circumstances, yet they worked only by the light of oil lamps and what little sunshine penetrated cave entrances.
The seventh century abandonment of these masterpieces is a mystery. Perhaps the Buddhists suffered religious persecution. Or perhaps the isolation of the caves made it difficult for the monks to collect sufficient alms for survival.
Some sources suggest that remnants of the Ajanta colony relocated to Ellora, a site closer to an important caravan route. There, another series of handcrafted caves chronologically begins where the Ajanta caves end.

Ellora Caves

Near Ellora , village in E central Maharashtra state, India, extending more than 1.6 km on a hill, are 34 rock and cave temples (5th–13th century).
Located about 30 Kilometres from Aurangabad, Ellora caves are known for the genius of their sculptors. It is generally believed that these caves were constructed by the sculptors who moved on from Ajanta. This cave complex is multicultural, as the caves here provide a mix of Buddhist, Hindu and Jain religions. The Buddhist caves came first, about 200 BC - 600 AD followed by the Hindu 500 - 900 AD and Jain 800 - 1000 AD.

Cave 30: Chota (small) Kailasa Temple, Ellora
Of the 34 caves chiselled into the sloping side of the low hill at Ellora, 12 (dating from AD 600 to 800) are Buddhist (one chaitya, the rest viharas), 17 are Hindu (AD 600 to 900), and 5 are Jain (AD 800 to 1100).
As the dates indicate, some caves were fashioned simultaneously - maybe as a form of religious competition. At the time, Buddhism was declining in India and Hinduism regaining ground, so representatives of both were eager to impress potential followers.
Although Ellora has more caves than Ajanta, the rooms generally are smaller and simpler (with exception of Kailasa Temple).

Visiting Ajanta and Ellora

One of India's greatest architectural treasures, the Kailasa temple attracts thousands of tourists annually.
Today, both Ajanta and Ellora are maintained by the Maharashtra Tourism Development Corporation. The sites are open daily from 9 a.m. until 5:30 p.m., with guides available for hire. Visitors pay a small admission fee to enter the Ajanta site and extra to attendants for lighting cave details. Entry is free to all caves at Ellora except the Kailasa Temple.
A good base from which to visit Ajanta and Ellora is Aurangabad, serviced daily by Indian Airlines and East West Airlines flights from Mumbai (Bombay). The city has a variety of accommodations, ranging from a youth hostel to five-star hotels.
At least a three-night stay in Aurangabad is advised, because Ajanta
(100 kilometres northeast by road) requires a full-day excursion and Ellora
(30 kilometres northwest) a half-day.


A renowned Artist of India, has restored and preserved the Indian Heritage of Ajanta painting.

 

Renowned artist of Marathwada Mr. M.R. Pimpare has for the past 55, Years been trying to recreate the paintings of the Gupta – Vakataka period around 450 A. D. unfolding to the world the actual glory of Ajanta which over the years has suffered deterioration.

The centuries –old paintings of Ajanta caves recreated exactly as they were when freshly painted by the unknown artist recapture the past glory of the wall paintings on gigantic sheets of paper.

Mr.Pimpare has completed 350 paintings which measure from one foot to 65’ x 4’ in length capturing minute details of expression, facial flexion, contours of the body, movement of the muscles and other minute details.

Ajanta art gallery is a display of the restructuring of Ajanta cave paintings. It is a devoted work of 30 long years by Mr. M.R. Pimpare, an artist whose work is done on the basis of photographs and historical records like drawings with all details prepared indicating the extent of damaged portion and contracting it faithfully in colour.

Mr. Pimpare has undertaken an entirely new approach of preservation and conservation as well as restoration of paintings with the help of most scientific modern and sophisticated instruments. The new approach aims at conservation of paintings in its exact duplicate copy form exactly like the original which are displayed in the Art Gallery. It is also proposed by the Marathwada Statutory Development Board to have a permanent art gallery which would provide glimpses of the famous National Heritage

Temples of long ago.

Welcome to a world of wonderment and awe. Built long before our time, they are a testament of survival and beauty. Some were lost for centuries before being discovered by “accident”. Most have had to undergo years of reconstruction to save them from destruction. Welcome to the temples of the heavens.

Angkor Wat


Built in Cambodia in the 12th century for King Suryavarman II. At first it was Hindu (honoring the god Vishnu), then becoming a Buddhist place of worship. It consists of a temple encompassing the mythic Mt. Meru. Its five inter-nested walls and moats represent chains of mountains and the cosmic oceans. The city became uninhabited in the 1400’s when it was sacked.

It became a lost wonder, only to be happened upon by Buddhist monks. Legends circulated about the mysterious city built by the gods of ancient time. Eventually the legends reached the “outside” world, and restoration efforts began to rebuild the lost city. Archaeologists once believed that Angkor Wat was the resting place of kings. But the kings were the ones who built this sacred place as a world of worship.

Taktshang


Located in Bhutan is nestled a monastery on the cliffs of a mountain (nearly 10,000 feet up). The name means tiger’s nest, apparently derived from the legend of one of Bhutan’s Buddhists. He flew to the valley on the back of a tigress before resting in one of the caves located on the top of the mountain. Here he meditated for three months, where the monastery now resides.

Khajuraho Temple


This temple has been listed as a UNESCO World Heritage Site. Known as the Temples of Love, the temple itself is stunning, and it contains erotica sculptures, which is sure to raise an eyebrow. It is one of the top tourist destinations in India, and one can certainly see why. Built between 950-1050 A.D., there were originally 85 temples constructed of sandstone. Only 22 survive.

Shikoku Temples


Zentsuji (Number 77 of the 88, and the largest)
The Shikoku pilgrimage is comprised of 88 temples throughout Shikoku (the smallest of Japan’s islands). The Buddhist monk Kobo Dashi created the temples in 815 A.D. The temples were made to protect people from misfortunes.

It can usually take a month to traverse all the temples by foot. The pilgrims are known as henro, and they usually work in a clockwise circle around Shikoku. And if you’re looking for a heart-felt journey to self-discovery, then traveling by foot is the way to go. Otherwise, most people travel the circuit by car or bike.

Banteay Srei


Set in an almost surreal surrounding is a small temple dedicated to the Hindu god Shiva. Its meaning loosely translates to citadel of the women. It was built by a Brahmin counselor under the King Rajendravarman.

It is located in Angkor, Cambodia. Built of red sandstone, the walls of the building are intricately carved. Because of its diminutive size, it is known as the precious gem amongst tourists.

Sri Ranganathaswamy Temple (Srirangam)


It is the largest temple in India, and one of the largest religious complexes in the entire world. It is surrounded by 7 concentric walls with 21 towers called Gopurams. The temple was purportedly built more than 2,000 years ago, although archaeologists are still unsure of its exact origins.

Legend says that Sri Ranganatha was flown across the sky by the sage Vibhisana. While resting, he set a statue of Vishnu upon the ground, but once rested, he could not remove the idol. A temple was built around the statue, and building continued for hundreds of years.

Brihadeeshavra Temple



Located at Thanjavur, this temple is an example of Chola architecture. It was built by Rajaraja Chola, the first king of India. The ancient Hindu temple was built around the 10th century, with later editions in the 16th century. It is also a UNESCO World Heritage Site, and is one of India’s most prized sites.

Read more: http://socyberty.com/history/mysterious-wonders-temples-of-heaven/#ixzz1o2XxF5n0






















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1 comments:

stenote said...

Interesting article... May I share a vlog about Tokyo at Asakusa Temple in http://stenote.blogspot.hk/2018/04/tokyo-at-asakusa-temple.html
Watch also the video in youtube https://youtu.be/d6--zCYR8fY

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